Showing posts with label theatre. Show all posts
Showing posts with label theatre. Show all posts

Monday, 14 May 2018

April. Glad to see the back of it


And the rest is silence.

Day 45 of squawking seagulls.  If I’d wanted to experience the seaside, I would have taken a hike along the local pier. Nine relentless hours of gulls crying over food spoils; clearly Winter wasn’t keen enough to kill off their numbers.



The crocuses came and went without a full bloom however the bloody dandelions were out by week one. 



April was a bleak month as we saw 16 dead in Humboldt, Saskatchewan. And this was followed by an investigation that seemed to take an extraordinary amount of time to determine cause and effect. One of the more profound images was that of a billet family’s memorial of three simple candles; unfortunately, one death was misidentified. The crash made international front pages and generated a multi-event support campaign. Token gestures of financial support? No, just over 15 million at last count.  Freelancer, Nora Lareto, questioned whether this support only came because the dead were white, male hockey players.  Quite frankly, I think she has a point.  We’d never see this kind of monetary support for other groups. Canada believes it is operating in a realm different to that of the US but we should not be so smug. Remember, too, the Paris terrorist attacks, the attack on Belgium.  Where were these people when Africa was under siege? Nowhere. I was pleased to see a surge in organ donation registration.  I only signed my card this past Winter and of course now I, will all due smugness, go around lecturing people on why they should sign their cards.

Further to Loreto's comments was a statement from Macleans which clearly illustrated that people were tip-toeing around the subject of both the crash victims and Indigenous issues.

We’d like to clarify that, contrary to misinformation being spread on social media, Nora Loreto has never been an employee of Maclean’s. She is a freelance writer who published one article on our website a few months ago. We had nothing to do with her extraordinarily inappropriate tweet regarding the Humboldt tragedy. We will have nothing else to say on this matter at the current time because we do not wish to distract from the tributes and grief being expressed on behalf of the victims of the accident, nor do we wish to feed into the torrent of abuse that Ms. Loreto has been subjected to since publishing her tweet.

Followed by a call for freedom of speech.  Murky depths.


YOU AND ME BOTH, ROBIN.


Gale-force winds and the threat of 30mm of rain marked the first part of the month . It is Spring only on paper. Hunkering down with hot drinks and a movie was the order of the day.  Started with AbFab, Season 3—with Idris Elba, of all people.  Elba meant nothing to me back in 1995 but put him in contention as the next Bond and it’s ‘remember when?’ time. And Season 3 marked another chance for a Will Self reference.

Hibernation featured a long list of movies including Bridget Jones’s Baby where we ask ourselves, has she had work done? Yes and we’ve fortunately forgotten about it. Zellweger once stated she would never have work done but has every right to change her mind. Imagine achieving the kind of recognition where the likes of People magazine book an interview and all they want to do is talk about plastic surgery.  Couldn’t remember if this was the third installment as the last time I watched a Bridget Jones, I nodded off thanks to a full day in the sun.  I was in company at the time and remember it being a complete bore.  Time has been kinder and as far as sequels go, this one worked.   And the next day, the latest Walrus arrived—Childless by Choice.  Ha!

Also opted for Alien IV with Fassbender and I was pleasantly surprised.  Good creep-out and ‘Oh. My. God.’ factors.  Avoid the dvd commentary. Ridley Scott offers plot points and not much else.

One of the better movie podcasts is Someone Else’s Movies hosted by Norm Wilner.  This month, I revisited Truly, Madly, Deeply—which Wilner could not bring himself to watch after the death of Alan Rickman—and Terry Gilliam’s Brazil.  I sat through Brazil looking for the bellows.  Pro-tip, they’re found in Ida’s funeral scene. From the podcast I learned that Gilliam released a “happily ever after” edit whereby Sam and his girlfriend live in perfect bliss which sounds like an abomination.

BRAZIL

TRULY, MADLY, DEEPLY


Re: the rest is silence.  Stratford actor, Rodrigo Beilfus recently had a lightning-bolt moment over Hamlet when he realized that rest means death and not everything else.
That is terribly profound and reminded me of the ending in Truly, Madly, Deeply where Rickman’s character says, “I think so”, in response to the ghosts. It took years to figure out that he was talking about Nina moving on.

Finally,The Piano was unearthed which lead straight into An Angel At My Table. Jane Campion is a genius.  Much attention paid during the podcast that Campion is back on her game.  Was she ever really off it? Harvey Keitel didn’t seem as over the top which was probably a sign of my aging and not having seen the film for ages.

THE PIANO
         
                                     
It was a truncated GritLit festival, this year—thanks to Mother N and a two-day ice storm.  GritLit 2018 was mired in controversy as it had originally scheduled a panel entitled, “Is CanLit a Raging Dumpster Fire?”, which was essentially the white, privileged person’s take on “Can Lit is a Raging Dumpster Fire” by Alicia Elliott; the piece based in part on the Steven Galloway controversy at UBC where –if I can encapsulate the fiasco—white, privileged writers came to Galloway’s defense—even in light of sexual harassment and assault allegations. Thus leading to a series of articles from Jonathan Kay, Christie Blatchford, and Elliot on cultural appropriation, white priviledge, rape culture, and so on. A sample of the articles from Elliot, Kay, and others, below.

DUMPSTER FIRE

IS THERE ROOM IN DIVERSITY FOR WHITE PEOPLE?

JONATHAN KAY ON CULTURAL APPROPRATION

WRITERS UNION--STATEMENT--Winning the Appropriation Prize

QUILLETTE--HOUNDING OF ANGIE ABDOU

It is indeed a murky pit.

The GritLit faux pas arose when two white authors were invited to discuss whether the Dumpster Fire was actually a thing—a most egregious error—in the words of artistic director, Jennifer Gilles, who appeared nervous--and I would say intimidated--by this formidable panel of Jael Richardson—artistic director of The FOLD—the Festival of Literary Diversity, Carrianne Leung—author and former Writer’s Union of Canada member, and Alicia Elliot herself—who looked like a 15 year old that had been dragged, kicking and screaming, to the event by an overzealous parent; who afterwards said she had not wanted to participate and would not participate in a panel of this kind for some time.  She blamed her depression and I would argue that if one is depressed, one should not be on a literary panel attempting to explain white privilege to a room full of white people.

Scan of my previous book purchased show 100% white authors; 2018 selection shows 43% white.




I headed out to catch Tanya Talaga speak about her book, Seven Fallen Feathers, which won the RBC Taylor Prize for Non-Fiction and tells the stories of seven indigenous high schoolers who died from misadventure.  Apart from supporting the book, fifty-percent of the session’s proceeds were going to charitable causes.  Talaga has donated a portion of her prize money--$1000 to each of the seven families for giving her their story and $4000 to Dennis Franklin Cromarty High School in Thunder Bay which goes to support students coming in from remote regions of Ontario—because the only high school is in Thunder Bay—and to help them survive the transition to high school in what seems to be yet another racist community.  I missed Thunder Bay—twice—on my cross-country run and caught only a gas station and Wendy’s heading West and the downtown-by-twilight on my return trip. The evening was an opportunity to learn more about the Treaty nations of northern Ontario and hear some perspectives of the lives of those living in remote regions. Looking forward to the read.

Questions were taken; the usual suspect was there—who comes to support only indigenous writers—even the pre-festival events—and he asked how it was possible to raise over 10 million dollars for the Humboldt bus-crash victims yet we still don’t have drinking water in Treaty territories.  The same gentleman appeared at the next CanLit event—the Dumpster panel—and asked the same question of the guests who refused to answer him.  In fact, the audience had been instructed to only ask questions.  Comments were not welcome and when one white woman did speak up to say she was seeing change and “Wasn’t this panel going to be called something else?” she was crucified on the spot.  However, Kerri Sakamoto (fellow presenter) had a few things to say—that were not in the form of a question—and the panel did not interject to ask, “What is your question?” as they had done previously and as I was tempted to do.

I never saw the lighter side of GritLit as an ice storm brewed late Saturday afternoon and by dinner hour the car was encased in ice. Andrea Bain was presenting Single Girl Problems, arguing being single is not something women have to defend.  At least we seem to be moving past 1958. I was hoping the book was going to be a comic take on a serious subject with plenty of clinical, evidence-based backup.  It is not. Turns out Bain is a day-time talk show host and seeing that she was on the same panel as Judy Rebick, I had an entirely other idea about Bain.

And I missed Jamie Tennant interviewing Ron Sexsmith and Tom Wilson.  I was relieved that Tennant was conducting the interview as he has the maturity and humour to do it justice.  Grit Lit is led by volunteers and previous hosts have been far too quiet and lacking in confidence to conduct a panel. All very nice people but when authors are doing international book promotion, I think they’d like to feel justified in taking time out to drive into Hamilton—and that there’s more than a tote-bag and a mug waiting for them at the other end. See Elyse Friedman and Heather O’Neil and that unfortunate, sparsely attended evening.

Not thrilled with Hamilton Plaza--the new permanent festival site. Compared with the Art Gallery of Hamilton, it is a sterile, beige, cubicle-like environment.

The ice-storm raged and we were left with a nightmare cleanup just in time for the morning commute.  Ploughs and graders—absent during the peak of the storm—appeared in tandem to fill driveways with two feet of wet, dense slush which froze solid in moments. I left mine so my neighbour wouldn’t be tempted to leave.  I don’t think anyone was psychologically prepared to once more don winter gear and drag ice picks and shovels to the curb.

Various people lamented the lack of spring-like weather but this is precisely what spring weather is: four seasons in one day.

To soothe the soul, I perused THE FRENCH LIFE, a French cooling blog who posted a photo of the most bizarre-looking Madelaines I’ve ever seen. Also recommending SO GOOD MAGAZINE for fabulous French pastry images.





Cheers to all independent bookshops. April 28 marked independent bookstore day and a reminder to think outside the Indigo box. Sadly, Nicholas Hoare and Bryan Prince bookshops are no longer with us.


Overdue for a return visit to both Parry Sound and Orillia.



Presently reading, Curry, by Nathan Rubnum.  




Marketing:  biggest god of all.


Spring Tide brought to Hamilton the one and only, Dougie Ford. Ford insists on channeling his late brother, Rob. Ford bowed out of various early debates and guest spots, insisting that Ford Nation loves him (and his brother) and that he has “nothing to worry about”. One less candidate to have to consider, but the frightening thing is, it could happen. Municipally, candidates are announcing their intention to run and I have only one thing to say:  term limits.


Coal Mine theatre concluded its fourth season with Category E, the blackest of comedies.  Coal Mine is once again proving it can do no wrong.  The play is at once deeply disturbing and funny with a fabulous cast that includes Robert Persichini who has a lovely speaking voice and strikes just the right tone when delivering his lines--whether in moments of joy or rage. I’m told I missed a hell of a Christmas concert with the note for note performance of Fleetwood Mac’s Rumours. And for the first time, I ventured to the back of the theatre to use the one wc.  I was pleasantly surprised.

Note to all patrons:  please reconsider that hair bun. Ask yourself if piling hair on top of your head—thus making  you a foot taller—is really appropriate in a theatre setting. Consider those around you, please. I think my seat could have been classified obstructed seating. 

Critical these days is where to get coffee now that we are supposed to be boycotting both Horton’s and Starbucks.  Reasons can be found here STARBUCKS BOYCOTT and here FAIR WAGES + TIM HORTONS.

Two minutes! That’s the amount of time the two gentlemen were in Starbuck’s before the clerk called the cops. I opted for Balzac’s and people-watched for half an hour.  It is challenging getting a table in Balzac’s as there is usually one person to a table feverishly keying a laptop, nursing that one cup of coffee, cell phone firmly grasped in the other hand.




Carnage again with ten pedestrians mowed down in Toronto while out for a stroll on a brilliant afternoon.  This time the coroner took their time identifying everyone so as not to repeat the Humboldt mis-identification. People were only too relieved to find out that the murderer was a white, Christian male.  Various right-wing media outlets dispatched their reporters to add fuel to the fire by speculating on political and religious views. Katie Hopkins—dubbed by the UK as the ‘biggest bitch in Britain’--and now with Rebel Media—could be found on the streets spewing racist venom. Go away, please.

Admin Day passed unobserved. I take two approaches. 
One:


Two:

One colleague sent around a cheery, albeit late 'Celebrate!' at 16:30 but otherwise it was heads down.  Same reaction on Women's Day--zero response from any female. Well that's that.

April concluded with some good news:  Polish women made progress marching again for their human rights. And when the Polish RALLY, they rally. And FORCILLO was heading back to jail. Next time look to the bus driver, who calmly got everyone off the bus, calmly spoke with Yatim, and then got himself off the bus. Next time, try de-escalation tactics.




Wednesday, 11 April 2018

Adieu, March--Eleven Days Later


And the ending just kept getting further away...

So I went from a New Year blog, to Midwinter, to Spring Equinox, to month-end—only with words this time. Critically, length has been my downfall and the more I read, the more striking the brevity of any given blog.  I always strive to achieve something more than the, I woke up, worked out, ate a salad, and bought lipstick and here are the photos to prove it (not that there’s anything wrong with that) kind of blog. The only problem is that I turn into Professor Tripp and Crabtree loses his job.

A lot has been written about how we’ve forgotten to read deeply as a result of social media and the very thing we’re doing here.  Forgetting how to read deeply because, in an age of instant gratification, if we can’t get what we want in the first few lines, we abandon a piece in favour of something new. (How do all these on line long-form pieces survive?) See Michael Harris’s I HAVE FORGOTTEN HOW TO READ.

Side note on the ’s. My latest guru and soon-to-be-author, BC Dreyer, advocates for the following construction:

Harris’s I Have Forgotten How To Read versus the more conventional Harris’ I Have Forgotten How To Read.

Dreyer is also a proponent of only one space between sentences. That will take some getting used to.

I recently discovered Call Me Scotty by Andrea Scott, playwright and producer-extraordinaire emphasizing brevity, topicality, and frequency of posts.  Scott is presently located in Stratford, Ontario and her writing can be found at CALL ME SCOTTY.


Seven degree weather and confirmed sighting of the following

1.    daffodil and tulips shoots
2.    cardinal and partner foraging
3.    doves canoodling
4.    sparrows nest building
5.    red-wing call
6.    crocuses in bloom—thanks to a roving squirrel
7.    neighbour raking a frozen, frost covered front garden
8.    Desi’s Aluminum & Siding—for on-street parking began this weekend!





Yes, folks, there’s nothing like having a commercial pick-up truck parked on your front for the weekend. This is the man who emptied a weeks’ worth of recycling into my blue box—my empty blue box—and the remainder of his garbage into my—also empty—green bin.

Quick tour of the backyard to assess the degree of damage control, come May.  The doves had been at the old robin’s nest—had in fact savaged the nest—so they seem intent on squatting, again.  Doves, by nature are not an interesting species. I’d much rather have a dynamic robin tending its eggs and young.  Doves don’t move—at all.

We wait patiently for the daffodils.



The month began in storm-watch mode which turned out to be a non-starter and very disappointingly resulted in no day off.  The Peel District School Board must be loving it—immediate school closures;  Peel and parts of Halton Catholic who also seem to take no chances.  In my day—and no exaggeration—we walked on a sidewalk-free highway through several feet of snow, crossing five live lanes of traffic.

Key was the need to prove a certain boss wrong as he was convinced we were to see no storm. His Doppler works different to everyone else’s.We did have a corker of a thunderstorm, though.

Side not for said boss:  Employee Appreciation Day went unobserved, again. Having said that, I dislike having one day set aside for any acknowledgement of this kind—be it annual reviews or the approaching Admin Day; there cannot be just one day set aside to provide feedback.  Like the dreaded annual review, why wait a year to let people know how things are going.  Reviews are reviled; cheap and dreaded so that must be why corporations continue to conduct them.

Spring cleaning began in earnest; more to the point, pre-spring cleaning. As we know, I missed Winter ’16 and Spring ’17 deep cleaning due to pneumonia which was followed by flu this past Winter so things got a bit out of hand. We are fooling no one but ourselves if we think a 16-pocket purse will help keep us organized. It is merely 15 more pockets in which to lose stuff.


In between sneezes and lethargy, I finally caught up on the original Wallander series.  Loved the A-line skirts and dresses; the Swedes are obviously a sensible bunch. See also low ceilings.

After thirteen episodes of crime, I switched to Jarmusch’s Paterson which is entirely the wrong thing as, after Wallander, Ripper Street, and Homeland, the brain is conditioned to anticipate the next thing to go sideways and of course nothing does “happen” in Paterson—it’s a character study, not plot driven.  Appreciated the tv-free space of the Paterson bar.


Bracing for Season 4 of Ripper Street.  



Also revisited Trainspotting I and II.  Sadly, the original was the North American cut as the accent had been cleaned up for those across the pond.  I think the cult status could be maintained by leaving the scene as intended. Very happy with the second film as the characters are exactly where they should be: addiction, remorse, on the take, and jail.

Then, it was foreign film bonanza including Pawel Pavlikowski’s Ida. I’d quite forgotten about the nun by the time we got to the open window.  


Butter and sugared bread.

Out the open window.


Time to get back to books, in earnest.  First on the list is Roxane Gay’s collection of essays, Bad Feminist. This is a no BS approach to life and Gay can be counted on to tell it like it is.  




Sadly this book was purchased from Indigo—because I got a good deal—and last week we learned that Bryan Prince Booksellers closed its doors. They shall be missed at GritLit, this year. If you can’t make it when you’re a stone’s throw from a University, have incorporated author readings, open workspace, and are supported by and support an annual literary festival, what hope is there for other shops?  Epic Books on Locke seem to be in the black and may have taken some of the business off Prince. Several years ago, I bought two cookbooks from Epic but have never returned. Unfortunately, the last books I tried to order through Prince are all out print. (There are, however, used editions floating around on Indigo’s site.)  But books are bloody expensive; there are very few who can afford $35 for a hardback.

Controversy still swirling around Soulpepper and Animal Farm quickly divided the full house, beginning with the cast introducing themselves—not as their character but as the costumed actor.  The play was a commissioned piece and tossed aside the Russian influence in favour of Trump, Syria, and a lotto-playing horse, amongst other diversions. A 50/50 split and I find myself in full agreement with The Globe and THE STAR.



On the brighter side, Canadian Stage is offering a fabulous line up for Jocelyn's final year as Artistic Director. Looking forward to Lepage's Corialanus at Stratford, this year.




Sook-Yin Lee is back.




Easter--the next great exercise in food. Something for next year's treat table---The Stigmata Cookie. Too bad there's no consistency in a date for Easter holidays. And too bad we don't all get the Monday as statutory.




Easter presents yet another opportunity for cake and brunch. And why not indulge in a sausage or two followed by lashings of icing.  Cake was a tad boggy, this time around.




Further, to confirm that Spring is indeed upon us, despite the hail, sleet, and hanging gale, three groundkeepers fired up their leaf blowers in what can only be decribed as a great middle-finger to the rest of us.  A rake works wonders.


Looking forward to what the neighbours will do with the garden, this year.  Elements of Pet Cemetery at the moment.


Better get started on April, now. Brevity, brevity, brevity.

Tuesday, 27 June 2017

The madness of The Madness of George III.

A rose of a performance hidden by the vines.

Sunday marked my second visit to Shaw Fest 2017, this time to see the much-anticipated Madness of King George III by Alan Bennett. This is the first season under the artistic direction of Tim Carroll who is on some kind of mission to completely erase any trace of former director, Jackie Maxwell.


We are going through a period of overindulgence.  It starts innocently enough by staging a 19th century costume drama in the present day. I'm good with that. However, let us not discuss the modern staging of Macbeth--Africa at Stratford Festival. We then bring characters on stage to interact with the audience while they take their seats followed by audience participation and before you know it, the house lights are up for 2:45 hours and you're paying more attention to the on-stage audience than to the actors.

In describing the new season's philosophy, Carroll uses the analogy of a garden, giving full license to directors to express this philosophy and continue throughout the season to revisit the play and see how things evolve (grow). As one reviewer noted, very few of us are likely to see a play twice in one season.  And isn't the purpose of previews to iron out the kinks? Isn't that why we have preview pricing?

Sadly, this production has evolved into a panto. Panto is at best ludicrous comedy, frivolous farce, and ramshackle antics.  All descriptions found in the following reviews.

Nestruck at The Globe and Mail

Smith at The Hamilton Spectator

Over-staging detracts from the fine performances given Sunday night in particular McCamus' king. McCamus is good as is Mezon and McManus--three of my favourites. What were they thinking when Mr. Kevin Bennett laid out his ideas for the show?

Alan Bennett's words require minimal staging. A reading of George III was performed at Stratford years ago.  No costumes, no lights, no bloated production.

I do welcome cast and creative introducing the shows this season.  For most of us, the people in black are a mystery; it's nice to see fresh faces and get their perspective.  And it's a good idea to go beyond the playbill although Shaw Fest does produce a comprehensive playbill. How cosy do we want to get, though?

I do not pay for the privilege of seeing actors (and I hear Withnail here) reduced to prancing around the stage having to endure three costume changes in under a minute. I kept coming back to the movie where George's decline was allowed to unfold with grace.

I should be fully engrossed in the performance in front of me. Keeping the house lights on all night merely encourages people to read programs and examine their feet throughout the evening. Just like the people on either side of me. It really messes with the peripherals.

Good rule of thumb: don’t take off your shoes and play with your feet, good people.

More on the rules to come.

Let's see what Shaw Fest does with An Octoroon.  Until September.

**Coming up--The Stratford Cure**

Thursday, 24 October 2013

People Watching-Soulpepper and an oyster lesson at Pure Spirits


“Is this lettuce leaf all for me?”  Norman in Table Manners

The long weekend continued with a day in Toronto that included all three plays from The Norman Conquests, the St. Lawrence Market and some nice nibbles at Pure Spirits where I’m pleased to report there was substantially more on offer than just lettuce leaves.

A little panic stricken about the drive in-long weekend and all the joy it brings; QEW jammed with families bound for the US.  Never understood why people wait ‘til mid-morning Saturday to make a move or indeed travel South on long weekends at all.  You know what you’re getting yourself in for; pick another weekend. What’s the fascination with pastry shells, anyway? Often wonder if it’s worth the three hour wait at the border. Okay, so you cannot get rolled pastry in this country; take them out of the case and lay them flat. I digress.  Piece on the morning show regarding exchange rate.  CA dollar on par so why are we paying so much more in the North?  Move to get shoppers to stay away from Black Friday.  Fortunately the traffic presently at a standstill was going the other way so the rest of us enjoyed a smooth run.

Parked up and sprinted to the Distillery District while shovelling down a chocolate and caramel pretzel.  By nature, I’m not an inhaler of food but there wasn’t time for a proper lunch.  In fact I thought I was in for a day of grazing due to intervals of sixty and ninety minutes.  Would this be an espresso laced day?

Never got ‘round to The Norman Conquests with Richard Briers and Penelope Keith so long overdue to see the play.  If you have the choice, try to see all three on the same day.  To be perfectly honest, I think I would have difficulties remembering all the little things going on from one week to the next.  (We were spoiled with Angels In America-another marathon.)  Mass confusion with the seats and guests were a little ruffled.  I couldn’t get the damn phone to shut off and we all know how I feel about cell phones going off mid play. Conferred with seatmate and think we got there but slight paranoia over telemarketers making their calls during a critical point in play.  Meant to ask where seatmate was visiting from.

Conquests is comprised of three plays that revolve around six characters with each play taking place in a different part of a house but in the same time frame as the preceding plays. Hope that’s clear. Table Manners was a romp and everyone had a good laugh.  Very often, you’ll get veteran theatre goers who look downright miserable.  They’ve seen everything so many times I think they go out of habit and don’t really get into the plays. 

Sterling cast for this one-Shultz, Reid, Boyes, Mennel, Condlin & Dennis (if memory serves). It seems as if you could enjoy your character night after night; all very playful and flirty.  I enjoyed the table mats; we’ve got some old Sheffield scenes in the top drawer.  I like that they were given pride of place, like fine crystal. Norman is a bit of a disaster but his zeal for life comes through and you willingly cheer him on.  Loved the breakfast scene; oh to have so much energy (and self-control) in the AM.  Confess to examining actors’ bare feet for state of arch support.

Off to get rid of the phone and have a browse. October is good time of year to go to the Distillery District.  Crowds are manageable, temperature is good and it’s usually easier to get into a restaurant. (Or so I thought.)

On the To-Do List is a sake tasting.  They also do a sake-based Cosmopolitan and salad dressings.  The Cosmo sample was rather nice.  The air was thick with when I arrived as someone had just dropped a bottle. Quick whip ‘round the St. Lawrence for the Foodie Pen Pal. Decided on Bisket-a-Basket apricot jam with brandy, chocolate and lemon. How can you go wrong with brandy and chocolate?  Another dash back to the theatre; another pretzel in hand.

Getting good results on the plea for phones to be turned off.  Second disembodied voice to encourage eyebrow raising.  What can be done about mint popping?  It too deserves an equally sound thumping.

Living Together finds us amongst the Lounge chairs with the family trying to maintain some sense of normalcy. The play mellows out and we get a little deeper into the characters.  I call it a romp but there is great poignancy. Different seatmates for this one and I asked about my neighbour’s bracelets.  Plastic zippers which turn out to have been promotional prizes from Italian potato chip packets. Who needs Cartier?

The generation gap was the only thing that got in the way for some of the under 30’s.  Not sure they knew what to do with Reg and his nudge-nudges and wink-winks.  I thought he was great fun.  Master of cereal.  The dinner gong went and we filed out with visions of what might have gone on under the rug.

I made a second stab at getting a table at El Catrin; 6:30 and they were jammed.  Over to Pure Spirits, equally jammed but managed a bar stool.  Note to selves:  if you want a meal in TO after 6:00, make a booking.  Not a fan of sitting at the bar, however, things worked out well.  This was my third visit to the restaurant and I was ideally situated for a lesson in the fine art of oyster consumption.

I have always been told to stun the oyster with a little lemon juice and let them slide down unencumbered.  Not according to tonight’s shucker; oyster eating is more like wine tasting.  First, get a sense of the oyster; second, sip the oyster water and third, let the oyster slip in and give it a good chew.  Lots of texture and you want to get the most out of it.  Our host explained the difference between the various oysters and he and his partner made light work of getting them plated.  So obviously a return visit is in order to sample a dozen or so.  First the sake tasting then the oysters.

Like to see a cocktail menu in flux.  The Autumn cocktail of gin, rhubarb liqueur and lime cordial was very refreshing.  The bar staff work hard at Spirits and are constantly on the move.  Started with the tuna tartare which I raved about before. People love those root chips.  Followed this with macaroni and cheese with seafood; the smaller elbows are used here and it was light on the sauce which is a good thing in my books.  Don’t like getting a plate of food that’s gone through death by sauce.  And since a trip to Soma was not in the cards on this day, took a Gin & Tonic dessert~gin semifreddo, tonic bubbles and lime gel.  This would make a very nice equivalent to sorbet in between courses.  It’s not sweet so those who shun dessert would be very at home with it.  Lots of different textures to play about with.  Lovely.

And we’re for off Round and Round the Garden. Consensus (before intermission) amongst audience on preferred play order-Manners, Garden then Living. By Act II- Manners, Living, Garden.

Apologies to all for my outburst mid-way through.  It’s one of those laughs I would normally reserve for the privacy of my living room.  A couple of Gen X’ers mystified at what all the fuss was about, but, they soon go into it.  My mind was racing to remember what happened at one o’clock; trying to piece the scenes together. Must try not to think so much.  Norman was in his element seducing Sarah, again.  How could she refuse?  Annie seemed to have gotten off the fence by play’s end and we’re told the rendez-vous will happen, some day.  Compliments all ‘round.  Very nicely done.

Hadn’t factored the Leafs game into the drive home.  Lots of long faces so one can only assume it was business as usual for the team.  But somehow, they still manage to sell tickets.  Next home game pop down to the east end, instead.  Think you’ll get more out of Soulpepper and the Distillery District than you will a hockey game.

Until next time.
Mind the shrubbery.