Showing posts with label theatre. Show all posts
Showing posts with label theatre. Show all posts
Wednesday, 26 September 2018
Monday, 14 May 2018
April. Glad to see the back of it
And
the rest is silence.
Day
45 of squawking seagulls. If I’d wanted
to experience the seaside, I would have taken a hike along the local pier. Nine
relentless hours of gulls crying over food spoils; clearly Winter wasn’t keen
enough to kill off their numbers.
The
crocuses came and went without a full bloom however the bloody dandelions were
out by week one.
April
was a bleak month as we saw 16 dead in Humboldt, Saskatchewan. And this was
followed by an investigation that seemed to take an extraordinary amount of
time to determine cause and effect. One of the more profound images was that of
a billet family’s memorial of three simple candles; unfortunately, one death
was misidentified. The crash made international front pages and generated a
multi-event support campaign. Token gestures of financial support? No, just over 15 million at
last count. Freelancer, Nora Lareto,
questioned whether this support only came because the dead were white, male
hockey players. Quite frankly, I think
she has a point. We’d never see this
kind of monetary support for other groups. Canada believes it is operating in a
realm different to that of the US but we should not be so smug. Remember, too, the
Paris terrorist attacks, the attack on Belgium.
Where were these people when Africa was under siege? Nowhere. I was pleased to see a surge in organ
donation registration. I only signed
my card this past Winter and of course now I, will all due smugness, go around
lecturing people on why they should sign their cards.
Further to Loreto's comments was a statement from Macleans which clearly illustrated that people were tip-toeing around the subject of both the crash victims and Indigenous issues.
Further to Loreto's comments was a statement from Macleans which clearly illustrated that people were tip-toeing around the subject of both the crash victims and Indigenous issues.
We’d like to clarify
that, contrary to misinformation being spread on social media, Nora Loreto has
never been an employee of Maclean’s. She is a freelance writer who published one article on
our website a few months ago. We had nothing to do with her extraordinarily
inappropriate tweet regarding the Humboldt tragedy. We will have nothing
else to say on this matter at the current time because we do not wish to
distract from the tributes and grief being expressed on behalf of the victims
of the accident, nor do we wish to feed into the torrent of abuse that Ms.
Loreto has been subjected to since publishing her tweet.
Followed by a call for freedom of speech. Murky depths.
Gale-force
winds and the threat of 30mm of rain marked the first part of the month . It is
Spring only on paper. Hunkering down with hot drinks and a movie was the order of the
day. Started with AbFab, Season 3—with Idris Elba, of all people. Elba meant nothing to me back in 1995 but put
him in contention as the next Bond and it’s ‘remember when?’ time. And Season
3 marked another chance for a Will Self reference.
Hibernation
featured a long list of movies including Bridget
Jones’s Baby where we ask ourselves, has she had work done? Yes and we’ve fortunately
forgotten about it. Zellweger once stated she would never have work done but has
every right to change her mind. Imagine achieving the kind of recognition where
the likes of People magazine book an interview and all they want to do is talk
about plastic surgery. Couldn’t remember
if this was the third installment as the last time I watched a Bridget Jones, I
nodded off thanks to a full day in the sun.
I was in company at the time and remember it being a complete bore. Time has been kinder and as far as sequels
go, this one worked. And the next day, the latest Walrus arrived—Childless by Choice. Ha!
Also opted
for Alien IV with Fassbender and I was pleasantly surprised. Good creep-out and ‘Oh. My. God.’ factors. Avoid the dvd commentary. Ridley Scott offers
plot points and not much else.
One
of the better movie podcasts is Someone
Else’s Movies hosted by Norm Wilner.
This month, I revisited Truly, Madly, Deeply—which Wilner could not
bring himself to watch after the death of Alan Rickman—and Terry Gilliam’s
Brazil. I sat through Brazil looking for
the bellows. Pro-tip, they’re found in
Ida’s funeral scene. From the podcast I learned that Gilliam released a
“happily ever after” edit whereby Sam and his girlfriend live in perfect bliss
which sounds like an abomination.
BRAZIL
TRULY, MADLY, DEEPLY
BRAZIL
TRULY, MADLY, DEEPLY
Re: the rest is silence. Stratford actor, Rodrigo Beilfus recently had a lightning-bolt moment over Hamlet when he realized that rest means death and not everything else.
That is terribly profound and reminded me of the ending in Truly, Madly, Deeply where Rickman’s character says, “I think so”, in response to the ghosts. It took years to figure out that he was talking about Nina moving on.
Finally,The Piano was unearthed which lead straight into An Angel At My Table. Jane Campion is a genius. Much attention paid during the podcast that Campion is back on her game. Was she ever really off it? Harvey Keitel didn’t seem as over the top which was probably a sign of my aging and not having seen the film for ages.
It
was a truncated GritLit festival, this year—thanks to Mother N and a two-day
ice storm. GritLit 2018 was mired in
controversy as it had originally scheduled a panel entitled, “Is CanLit a
Raging Dumpster Fire?”, which was essentially the white, privileged person’s
take on “Can Lit is a Raging Dumpster Fire” by Alicia Elliott; the piece
based in part on the Steven Galloway controversy at UBC where –if I can
encapsulate the fiasco—white, privileged writers came to Galloway’s
defense—even in light of sexual harassment and assault allegations. Thus
leading to a series of articles from Jonathan Kay, Christie Blatchford, and
Elliot on cultural appropriation, white priviledge, rape culture, and so on. A
sample of the articles from Elliot, Kay, and others, below.
DUMPSTER FIRE
IS THERE ROOM IN DIVERSITY FOR WHITE PEOPLE?
JONATHAN KAY ON CULTURAL APPROPRATION
WRITERS UNION--STATEMENT--Winning the Appropriation Prize
QUILLETTE--HOUNDING OF ANGIE ABDOU
DUMPSTER FIRE
IS THERE ROOM IN DIVERSITY FOR WHITE PEOPLE?
JONATHAN KAY ON CULTURAL APPROPRATION
WRITERS UNION--STATEMENT--Winning the Appropriation Prize
QUILLETTE--HOUNDING OF ANGIE ABDOU
It is indeed a murky pit.
The GritLit faux pas arose when two white authors were invited to discuss whether the
Dumpster Fire was actually a thing—a most egregious error—in the words of
artistic director, Jennifer Gilles, who appeared nervous--and I would say intimidated--by this
formidable panel of Jael Richardson—artistic director of The FOLD—the Festival
of Literary Diversity, Carrianne Leung—author and former Writer’s Union of
Canada member, and Alicia Elliot herself—who looked like a 15 year old that had
been dragged, kicking and screaming, to the event by an overzealous parent; who
afterwards said she had not wanted to participate and would not participate in
a panel of this kind for some time. She
blamed her depression and I would argue that if one is depressed, one should
not be on a literary panel attempting to explain white privilege to a room full
of white people.
Scan of my previous book purchased show 100% white authors; 2018 selection shows 43% white.
Scan of my previous book purchased show 100% white authors; 2018 selection shows 43% white.
I
headed out to catch Tanya Talaga speak about her book, Seven Fallen Feathers, which won the RBC Taylor Prize for
Non-Fiction and tells the stories of seven indigenous high schoolers who died from
misadventure. Apart from supporting the
book, fifty-percent of the session’s proceeds were going to charitable causes. Talaga has donated a portion of her prize
money--$1000 to each of the seven families for giving her their story and $4000
to Dennis Franklin Cromarty High School in Thunder Bay which goes to support students coming
in from remote regions of Ontario—because the only high school is in Thunder
Bay—and to help them survive the transition to high school in what seems to be
yet another racist community. I missed
Thunder Bay—twice—on my cross-country run and caught only a gas station and
Wendy’s heading West and the downtown-by-twilight on my return trip. The
evening was an opportunity to learn more about the Treaty nations of northern
Ontario and hear some perspectives of the lives of those living in remote
regions. Looking forward to the read.
Questions
were taken; the usual suspect was there—who comes to support only indigenous
writers—even the pre-festival events—and he asked how it was possible to raise
over 10 million dollars for the Humboldt bus-crash victims yet we still don’t
have drinking water in Treaty territories.
The same gentleman appeared at the next CanLit event—the Dumpster
panel—and asked the same question of the guests who refused to answer him. In fact, the audience had been instructed to
only ask questions. Comments were not
welcome and when one white woman did speak up to say she was seeing change and
“Wasn’t this panel going to be called something else?” she was crucified on the spot. However, Kerri Sakamoto
(fellow presenter) had a few things to say—that were not in the form of a
question—and the panel did not interject to ask, “What is your question?” as they had done previously and as I was tempted to do.
I
never saw the lighter side of GritLit as an ice storm brewed late Saturday
afternoon and by dinner hour the car was encased in ice. Andrea Bain was
presenting Single Girl Problems,
arguing being single is not something women have to defend. At least we seem to be moving past 1958. I
was hoping the book was going to be a comic take on a serious subject with
plenty of clinical, evidence-based backup.
It is not. Turns out Bain is a day-time talk show host and seeing that
she was on the same panel as Judy Rebick, I had an entirely other idea about Bain.
And
I missed Jamie Tennant interviewing Ron Sexsmith and Tom Wilson. I was relieved that Tennant was conducting
the interview as he has the maturity and humour to do it justice. Grit Lit is led by volunteers and previous
hosts have been far too quiet and lacking in confidence to conduct a panel. All
very nice people but when authors are doing international book promotion, I
think they’d like to feel justified in taking time out to drive into
Hamilton—and that there’s more than a tote-bag and a mug waiting for them at the
other end. See Elyse Friedman and Heather O’Neil and that unfortunate, sparsely
attended evening.
Not thrilled with Hamilton Plaza--the new permanent festival site. Compared with the Art Gallery of Hamilton, it is a sterile, beige, cubicle-like environment.
The
ice-storm raged and we were left with a nightmare cleanup just in time for the
morning commute. Ploughs and
graders—absent during the peak of the storm—appeared in tandem to fill
driveways with two feet of wet, dense slush which froze solid in moments. I left
mine so my neighbour wouldn’t be tempted to leave. I don’t think anyone was psychologically
prepared to once more don winter gear and drag ice picks and shovels to the
curb.
Various
people lamented the lack of spring-like weather but this is precisely what
spring weather is: four seasons in one day.
To
soothe the soul, I perused THE FRENCH LIFE, a French cooling blog who posted a photo of the
most bizarre-looking Madelaines I’ve ever seen. Also recommending SO GOOD MAGAZINE for
fabulous French pastry images.
Cheers to all independent bookshops. April 28 marked independent bookstore day and a reminder to think outside the Indigo box. Sadly, Nicholas Hoare and Bryan Prince bookshops are no longer with us.
Overdue for a return visit to both Parry Sound and Orillia.
Presently reading, Curry, by Nathan Rubnum.
| Marketing: biggest god of all. |
Spring
Tide brought to Hamilton the one and only, Dougie Ford. Ford insists on channeling
his late brother, Rob. Ford bowed out of various early debates and guest spots,
insisting that Ford Nation loves him (and his brother) and that he has “nothing
to worry about”. One less candidate to have to consider, but the frightening
thing is, it could happen. Municipally, candidates are announcing their
intention to run and I have only one thing to say: term limits.
Coal
Mine theatre concluded its fourth season with Category E, the blackest of comedies. Coal Mine is once again proving it can do no
wrong. The play is at once deeply
disturbing and funny with a fabulous cast that includes Robert Persichini who
has a lovely speaking voice and strikes just the right tone when delivering his
lines--whether in moments of joy or rage. I’m told I missed a hell of a
Christmas concert with the note for note performance of Fleetwood Mac’s
Rumours. And for the first time, I ventured to the back of the theatre to use the one wc. I was pleasantly surprised.
Note
to all patrons: please reconsider that
hair bun. Ask yourself if piling hair on top of your head—thus making you a foot taller—is really appropriate in a
theatre setting. Consider those around you, please. I think my seat could have been classified obstructed seating.
Critical these days is where to get coffee now that we are supposed to be boycotting
both Horton’s and Starbucks. Reasons can
be found here STARBUCKS BOYCOTT and here FAIR WAGES + TIM HORTONS.
Two minutes! That’s the amount of time the two gentlemen were in Starbuck’s before the clerk called the cops. I opted for Balzac’s and people-watched for half an hour. It is challenging getting a table in Balzac’s as there is usually one person to a table feverishly keying a laptop, nursing that one cup of coffee, cell phone firmly grasped in the other hand.
Two minutes! That’s the amount of time the two gentlemen were in Starbuck’s before the clerk called the cops. I opted for Balzac’s and people-watched for half an hour. It is challenging getting a table in Balzac’s as there is usually one person to a table feverishly keying a laptop, nursing that one cup of coffee, cell phone firmly grasped in the other hand.
Carnage
again with ten pedestrians mowed down in Toronto while out for a stroll on a
brilliant afternoon. This time the
coroner took their time identifying everyone so as not to repeat the Humboldt
mis-identification. People were only too relieved to find out that the murderer
was a white, Christian male. Various
right-wing media outlets dispatched their reporters to add fuel to the fire by
speculating on political and religious views. Katie Hopkins—dubbed by the UK as
the ‘biggest bitch in Britain’--and now with Rebel Media—could be found on the
streets spewing racist venom. Go away, please.
Admin Day passed unobserved. I take two approaches.
One:
Two:
One colleague sent around a cheery, albeit late 'Celebrate!' at 16:30 but otherwise it was heads down. Same reaction on Women's Day--zero response from any female. Well that's that.
April
concluded with some good news: Polish
women made progress marching again for their human rights. And when the Polish RALLY, they
rally. And FORCILLO was heading back to jail. Next time look to the bus driver,
who calmly got everyone off the bus, calmly spoke with Yatim, and then got
himself off the bus. Next time, try de-escalation
tactics.
Wednesday, 11 April 2018
Adieu, March--Eleven Days Later
And the ending just kept getting further away...
So I went from a New Year blog, to Midwinter, to Spring Equinox, to month-end—only with words this time. Critically, length has been my downfall and the more I read, the more striking the brevity of any given blog. I always strive to achieve something more than the, I woke up, worked out, ate a salad, and bought lipstick and here are the photos to prove it (not that there’s anything wrong with that) kind of blog. The only problem is that I turn into Professor Tripp and Crabtree loses his job.
So I went from a New Year blog, to Midwinter, to Spring Equinox, to month-end—only with words this time. Critically, length has been my downfall and the more I read, the more striking the brevity of any given blog. I always strive to achieve something more than the, I woke up, worked out, ate a salad, and bought lipstick and here are the photos to prove it (not that there’s anything wrong with that) kind of blog. The only problem is that I turn into Professor Tripp and Crabtree loses his job.
A
lot has been written about how we’ve forgotten to read deeply as a result of
social media and the very thing we’re doing here. Forgetting how to read deeply because, in an
age of instant gratification, if we can’t get what we want in the first few
lines, we abandon a piece in favour of something new. (How do all these on line
long-form pieces survive?) See Michael Harris’s I HAVE FORGOTTEN HOW TO READ.
Side
note on the ’s. My latest guru and soon-to-be-author, BC Dreyer, advocates for the
following construction:
Harris’s
I Have Forgotten How To Read versus the more conventional Harris’ I Have
Forgotten How To Read.
Dreyer is also a proponent of only one space between sentences. That will take some getting used to.
Dreyer is also a proponent of only one space between sentences. That will take some getting used to.
I
recently discovered Call Me Scotty by
Andrea Scott, playwright and producer-extraordinaire emphasizing brevity,
topicality, and frequency of posts.
Scott is presently located in Stratford, Ontario and her writing can be found at CALL ME SCOTTY.
Seven
degree weather and confirmed sighting of the following
1. daffodil and
tulips shoots
2. cardinal and
partner foraging
3. doves
canoodling
4. sparrows nest
building
5. red-wing call
6. crocuses in
bloom—thanks to a roving squirrel
7. neighbour
raking a frozen, frost covered front garden
Yes,
folks, there’s nothing like having a commercial pick-up truck parked on your
front for the weekend. This is the man who emptied a weeks’ worth of recycling
into my blue box—my empty blue box—and the remainder of his garbage into
my—also empty—green bin.
Quick
tour of the backyard to assess the degree of damage control, come May. The doves had been at the old robin’s
nest—had in fact savaged the nest—so they seem intent on squatting, again. Doves, by nature are not an interesting
species. I’d much rather have a dynamic robin tending its eggs and young. Doves don’t move—at all.
We wait patiently for the daffodils.
The
month began in storm-watch mode which turned out to be a non-starter and very
disappointingly resulted in no day off. The
Peel District School Board must be loving it—immediate school closures; Peel and parts of Halton Catholic who also
seem to take no chances. In my day—and
no exaggeration—we walked on a sidewalk-free highway through several feet of
snow, crossing five live lanes of traffic.
Key
was the need to prove a certain boss wrong as he was convinced we were to see
no storm. His Doppler works different to everyone else’s.We did have a corker
of a thunderstorm, though.
Side
not for said boss: Employee Appreciation
Day went unobserved, again. Having said that, I dislike having one day set
aside for any acknowledgement of this kind—be it annual reviews or the approaching
Admin Day; there cannot be just one day set aside to provide feedback. Like the dreaded annual review, why wait a
year to let people know how things are going.
Reviews are reviled; cheap and dreaded so that must be why corporations
continue to conduct them.
Spring
cleaning began in earnest; more to the point, pre-spring cleaning. As we know, I missed Winter ’16 and Spring ’17 deep cleaning due to pneumonia which
was followed by flu this past Winter so things got a bit out of
hand. We are fooling no one but ourselves if we think a 16-pocket purse will
help keep us organized. It is merely 15 more pockets in which to lose stuff.
In
between sneezes and lethargy, I finally caught up on the original Wallander series. Loved the A-line skirts and dresses; the
Swedes are obviously a sensible bunch. See also low ceilings.
After
thirteen episodes of crime, I switched to Jarmusch’s Paterson which is entirely the wrong thing as, after Wallander, Ripper Street, and Homeland,
the brain is conditioned to anticipate the next thing to go sideways and of
course nothing does “happen” in Paterson—it’s a character study, not plot
driven. Appreciated the tv-free space of
the Paterson bar.
Bracing for Season 4 of Ripper Street.
Also
revisited Trainspotting I and II. Sadly,
the original was the North American cut as the accent had been cleaned up
for those across the pond. I think the
cult status could be maintained by leaving the scene as intended. Very
happy with the second film as the characters are exactly where they should
be: addiction, remorse, on the
take, and jail.
Then, it
was foreign film bonanza including Pawel Pavlikowski’s Ida. I’d quite forgotten about
the nun by the time we got to the open window.
| Butter and sugared bread. |
Out the open window.
Time
to get back to books, in earnest. First
on the list is Roxane Gay’s collection of essays, Bad Feminist. This is a no BS approach to life and Gay can be counted on to tell it like it is.
Sadly
this book was purchased from Indigo—because I got a good deal—and last week we
learned that Bryan Prince Booksellers closed its doors. They shall be
missed at GritLit, this year. If you can’t make it when you’re a stone’s throw
from a University, have incorporated author readings, open workspace, and are
supported by and support an annual literary festival, what hope is there for
other shops? Epic Books on Locke seem to
be in the black and may have taken some of the business off Prince. Several years ago, I bought two cookbooks from Epic but have never returned. Unfortunately, the last books I tried to order through Prince are all
out print. (There are, however, used editions floating around on Indigo’s site.) But books are bloody expensive; there are very few who can
afford $35 for a hardback.
Controversy
still swirling around Soulpepper and Animal Farm quickly divided the full house, beginning
with the cast introducing themselves—not as their character but as the costumed
actor. The play was a commissioned piece
and tossed aside the Russian influence in favour of Trump, Syria, and a
lotto-playing horse, amongst other diversions. A 50/50 split and I find myself in full agreement with The Globe and THE STAR.
On the brighter side, Canadian Stage is offering a fabulous line up for Jocelyn's final year as Artistic Director. Looking forward to Lepage's Corialanus at Stratford, this year.
Sook-Yin Lee is back.
Easter--the next great exercise in food. Something for next year's treat table---The Stigmata Cookie. Too bad there's no consistency in a date for Easter holidays. And too bad we don't all get the Monday as statutory.
Easter presents yet another opportunity for cake and brunch. And why not indulge in a sausage or two followed by lashings of icing. Cake was a tad boggy, this time around.
Further, to confirm that Spring is indeed upon us, despite the hail, sleet, and hanging gale, three groundkeepers fired up their leaf blowers in what can only be decribed as a great middle-finger to the rest of us. A rake works wonders.
Looking forward to what the neighbours will do with the garden, this year. Elements of Pet Cemetery at the moment.
Better get started on April, now. Brevity, brevity, brevity.
Tuesday, 27 June 2017
The madness of The Madness of George III.
A rose of a performance hidden by the vines.
Sunday marked my second visit to Shaw Fest 2017, this time to see the much-anticipated Madness of King George III by Alan Bennett. This is the first season under the artistic direction of Tim Carroll who is on some kind of mission to completely erase any trace of former director, Jackie Maxwell.
We are going through a period of overindulgence. It starts innocently enough by staging a 19th century costume drama in the present day. I'm good with that. However, let us not discuss the modern staging of Macbeth--Africa at Stratford Festival. We then bring characters on stage to interact with the audience while they take their seats followed by audience participation and before you know it, the house lights are up for 2:45 hours and you're paying more attention to the on-stage audience than to the actors.
In describing the new season's philosophy, Carroll uses the analogy of a garden, giving full license to directors to express this philosophy and continue throughout the season to revisit the play and see how things evolve (grow). As one reviewer noted, very few of us are likely to see a play twice in one season. And isn't the purpose of previews to iron out the kinks? Isn't that why we have preview pricing?
Sadly, this production has evolved into a panto. Panto is at best ludicrous comedy, frivolous farce, and ramshackle antics. All descriptions found in the following reviews.
Nestruck at The Globe and Mail
Smith at The Hamilton Spectator
Over-staging detracts from the fine performances given Sunday night in particular McCamus' king. McCamus is good as is Mezon and McManus--three of my favourites. What were they thinking when Mr. Kevin Bennett laid out his ideas for the show?
Alan Bennett's words require minimal staging. A reading of George III was performed at Stratford years ago. No costumes, no lights, no bloated production.
I do welcome cast and creative introducing the shows this season. For most of us, the people in black are a mystery; it's nice to see fresh faces and get their perspective. And it's a good idea to go beyond the playbill although Shaw Fest does produce a comprehensive playbill. How cosy do we want to get, though?
Sunday marked my second visit to Shaw Fest 2017, this time to see the much-anticipated Madness of King George III by Alan Bennett. This is the first season under the artistic direction of Tim Carroll who is on some kind of mission to completely erase any trace of former director, Jackie Maxwell.
We are going through a period of overindulgence. It starts innocently enough by staging a 19th century costume drama in the present day. I'm good with that. However, let us not discuss the modern staging of Macbeth--Africa at Stratford Festival. We then bring characters on stage to interact with the audience while they take their seats followed by audience participation and before you know it, the house lights are up for 2:45 hours and you're paying more attention to the on-stage audience than to the actors.
In describing the new season's philosophy, Carroll uses the analogy of a garden, giving full license to directors to express this philosophy and continue throughout the season to revisit the play and see how things evolve (grow). As one reviewer noted, very few of us are likely to see a play twice in one season. And isn't the purpose of previews to iron out the kinks? Isn't that why we have preview pricing?
Sadly, this production has evolved into a panto. Panto is at best ludicrous comedy, frivolous farce, and ramshackle antics. All descriptions found in the following reviews.
Nestruck at The Globe and Mail
Smith at The Hamilton Spectator
I do not pay for the privilege of seeing actors (and I hear Withnail here) reduced to prancing around the stage having to endure three costume changes in under a minute. I kept coming back to the movie where George's decline was allowed to unfold with grace.
I should be fully engrossed in the performance in front of me. Keeping the house lights on all night merely encourages people to read programs and examine their feet throughout the evening. Just like the people on either side of me. It really messes with the peripherals.
Good rule of thumb: don’t take off your shoes and play with your feet, good people.
More on the rules to come.
Let's see what Shaw Fest does with An Octoroon. Until September.
**Coming up--The Stratford Cure**
Thursday, 24 October 2013
People Watching-Soulpepper and an oyster lesson at Pure Spirits
“Is this lettuce leaf all for
me?” Norman in Table Manners
The
long weekend continued with a day in Toronto that included all three plays from
The Norman Conquests, the St.
Lawrence Market and some nice nibbles at Pure
Spirits where I’m pleased to report there was substantially more on offer
than just lettuce leaves.
A
little panic stricken about the drive in-long weekend and all the joy it
brings; QEW jammed with families bound for the US. Never understood why people wait ‘til
mid-morning Saturday to make a move or indeed travel South on long weekends at
all. You know what you’re getting
yourself in for; pick another weekend. What’s the fascination with pastry shells,
anyway? Often wonder if it’s worth the three hour wait at the border. Okay, so
you cannot get rolled pastry in this country; take them out of the case and lay
them flat. I digress. Piece
on the morning show regarding exchange rate.
CA dollar on par so why are we paying so much more in the North? Move to get shoppers to stay away from Black
Friday. Fortunately the traffic
presently at a standstill was going the other way so the rest of us enjoyed a
smooth run.
Parked
up and sprinted to the Distillery District while shovelling down a chocolate and
caramel pretzel. By nature, I’m not an
inhaler of food but there wasn’t time for a proper lunch. In fact I thought I was in for a day of
grazing due to intervals of sixty and ninety minutes. Would this be an espresso laced day?
Never
got ‘round to The Norman Conquests with Richard Briers and Penelope Keith so
long overdue to see the play. If you
have the choice, try to see all three on the same day. To be perfectly honest, I think I would have
difficulties remembering all the little things going on from one week to the
next. (We were spoiled with Angels In America-another
marathon.) Mass confusion with the seats
and guests were a little ruffled. I
couldn’t get the damn phone to shut off and we all know how I feel about cell
phones going off mid play. Conferred with seatmate and think we got there but
slight paranoia over telemarketers making their calls during a critical point
in play. Meant to ask where seatmate was
visiting from.
Conquests is comprised of three plays
that revolve around six characters with each play taking place in a different
part of a house but in the same time frame as the preceding plays. Hope that’s
clear. Table Manners was a romp and everyone had a
good laugh. Very often, you’ll get
veteran theatre goers who look downright miserable. They’ve seen everything so many times I think
they go out of habit and don’t really get into the plays.
Sterling
cast for this one-Shultz, Reid, Boyes, Mennel, Condlin & Dennis (if memory
serves). It seems as if you could enjoy your character night after night; all
very playful and flirty. I enjoyed the
table mats; we’ve got some old Sheffield scenes in the top drawer. I like that they were given pride of place,
like fine crystal. Norman
is a bit of a disaster but his zeal for life comes through and you willingly
cheer him on. Loved the breakfast scene;
oh to have so much energy (and self-control) in the AM. Confess to examining actors’ bare feet for
state of arch support.
Off
to get rid of the phone and have a browse. October is good time of year to go
to the Distillery District. Crowds are
manageable, temperature is good and it’s usually easier to get into a
restaurant. (Or so I thought.)
On
the To-Do List is a sake tasting. They
also do a sake-based Cosmopolitan and salad dressings. The Cosmo sample was rather nice. The air was thick with when I arrived as
someone had just dropped a bottle. Quick whip ‘round the St. Lawrence for the
Foodie Pen Pal. Decided on Bisket-a-Basket apricot jam with brandy, chocolate
and lemon. How can you go wrong with brandy and chocolate? Another dash back to the theatre; another
pretzel in hand.
Getting
good results on the plea for phones to be turned off. Second disembodied voice to encourage eyebrow
raising. What can be done about mint
popping? It too deserves an equally
sound thumping.
Living Together finds us amongst the Lounge
chairs with the family trying to maintain some sense of normalcy. The play
mellows out and we get a little deeper into the characters. I call it a romp but there is great
poignancy. Different
seatmates for this one and I asked about my neighbour’s bracelets. Plastic zippers which turn out to have been
promotional prizes from Italian potato chip packets. Who needs Cartier?
The
generation gap was the only thing that got in the way for some of the under
30’s. Not sure they knew what to do with
Reg and his nudge-nudges and wink-winks.
I thought he was great fun.
Master of cereal. The dinner gong
went and we filed out with visions of what might have gone on under the rug.
I
made a second stab at getting a table at El
Catrin; 6:30 and they were jammed.
Over to Pure Spirits, equally
jammed but managed a bar stool. Note to
selves: if you want a meal in TO after
6:00, make a booking. Not a fan of
sitting at the bar, however, things worked out well. This was my third visit to the restaurant and
I was ideally situated for a lesson in the fine art of oyster consumption.
I
have always been told to stun the oyster with a little lemon juice and let them
slide down unencumbered. Not according
to tonight’s shucker; oyster eating is more like wine tasting. First, get a sense of the oyster; second, sip
the oyster water and third, let the oyster slip in and give it a good
chew. Lots of texture and you want to
get the most out of it. Our host
explained the difference between the various oysters and he and his partner
made light work of getting them plated.
So obviously a return visit is in order to sample a dozen or so. First the sake tasting then the oysters.
Like
to see a cocktail menu in flux. The
Autumn cocktail of gin, rhubarb liqueur and lime cordial was very
refreshing. The bar staff work hard at
Spirits and are constantly on the move.
Started with the tuna tartare which I raved about before. People love
those root chips. Followed this with
macaroni and cheese with seafood; the smaller elbows are used here and it was
light on the sauce which is a good thing in my books. Don’t like getting a plate of food that’s
gone through death by sauce. And since a
trip to Soma was not in the cards on this day, took a Gin & Tonic
dessert~gin semifreddo, tonic bubbles and lime gel. This would make a very nice equivalent to
sorbet in between courses. It’s not
sweet so those who shun dessert would be very at home with it. Lots of different textures to play about
with. Lovely.
And
we’re for off Round and Round the Garden.
Consensus (before intermission) amongst audience on preferred play order-Manners,
Garden then Living. By Act II- Manners, Living, Garden.
Apologies
to all for my outburst mid-way through.
It’s one of those laughs I would normally reserve for the privacy of my
living room. A couple of Gen X’ers
mystified at what all the fuss was about, but, they soon go into it. My mind was racing to remember
what happened at one o’clock; trying to piece the scenes together. Must try not
to think so much. Norman was in his
element seducing Sarah, again. How could
she refuse? Annie seemed to have gotten
off the fence by play’s end and we’re told the rendez-vous will happen, some
day. Compliments
all ‘round. Very nicely done.
Hadn’t
factored the Leafs game into the drive home.
Lots of long faces so one can only assume it was business as usual for
the team. But somehow, they still manage
to sell tickets. Next home game pop down
to the east end, instead. Think you’ll
get more out of Soulpepper and the Distillery District than you will a hockey
game.
Until
next time.
Mind
the shrubbery.
Subscribe to:
Posts (Atom)





